WinkSound Sound News 210
Rick and Mateo present the latest tutorials in audio technology and gear. In this webisode we'll take a look at the behind the scenes of the Google audio centric ad for Chrome.Justin shows you how to keep samples from overlapping each other when working with Native Instrument's Batter 3 and Chris explains how to use the Tap Tempo function within Logic Studio. We'll also point you to the Must Watch videos from the WinkSound Community.
WinkSound Sound News 210
Rick: Hey what’s going on you’re watching WinkSound.com. I’m Rick.
Mateo: And I’m Mateo and in this video we’re going to go behind the scenes of
googles new audio centric add for chrome.
Rick: Justin and Chris will stop by to share the latest tips and tricks between
Logic Studio and Battery 3. When you check out the must watched videos
from WinkSound.com community featuring Pro Tools, Amplitude and
Mateo: Plus we’ll check out our new segment Beat Roulette while we check out
the latest beats coming out of people’s home studios.
Rick: Hey guys thanks for watching have you guys caught the new Google ad
for their chrome web browser has the key car kinds of hits a little speaker
thing and splashes a near with paint.
So we found a video the team over at Google will show you exactly how
they put this cool little ad together.
Male: The trigger in this one is the boot falling from the top of this frame. The
double base pedal hits the mouse which clicks chrome and then also hits
the key tar key at the same time.
Male: It’s the drum that shoots the paint.
Male: That’s corn syrup mixed with— we got the wrong consistency together
and it’s a lot.
Male: What’s the right frequency what’s the right volume, the right kind of
speaker and the right viscosity and density of the paint itself.
Male: We paint around with a lot of things to set off I mean just technically what
you hit quickly to make a blast and then along came the key tar and
everything changed form there on.
Rick: We love to hear from many of you guys who finally this videos is kind of
like the one we just showed with google or anything happening to you
with the music production send it over and we’ll show case them in the
Mateo: That’s right so now Justin is going to come up and he’s going to show you
how to stop your samples from overlapping each other when you use
Justin: Hey what’s up guys this is Justin@WinkSound.com if you’re ever
working with loops or samples within battery 3 you might find that every
time you trigger that loop or sample it tends to overlap itself. In this video
I’ll show you how to stop that overlap and every time you trigger that
sample or loop it will start from the beginning so let’s check it out.
Okay so in working with loops and battery you hit MIDI key that controls
that loop you start to get overlap happening so let me play that for you
Okay so in order to stop that overlap what you want to do is go to the set
up tab, go to where it says voice group and choose a voice group that you
haven’t used or that you haven’t made any changes to so as you can see
now the maximum voice changed to one and the voice overlap changed to
So what you want to do is leave the max voice at 1 and change the voice
overlap to 1 as well. Okay so now I’ll play the root but as you can hear it’s
not going to overlap itself and it will go right back to the beginning every
time the key is hit.
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Male: Squishy, horror sci fi kind of just gross sounds.
Mateo: So here are the most watched videos from the WinkSound.com
community. That’s right this videos come from members just like you
from all over the world who’ve uploaded their videos to WinkSound.com
to share their knowledge of music production with the community. So if
you have anything you would like to share simply upload your video to
WinkSound.com and let us know about it and we might feature it in the
Soundslogical shows you how to mix, kick and snare drums within Logic
SoundsLogical: It definitely sounds weak. Well my favorite thing to do with snares
is to actually distort them. I like to add a bit of a high harmonic distortion
which I find gives that to punch and crack that I’m looking for and my
favorite plugin to do that with this came audio CamePhat because it has 4
different distortion settings and they all sound great to my ears but because
I want to keep this neutral I want to use only logic plugins for today we’re
going to replace that with Logics distortion too.
So here’s the distortion plugin. I’m going to choose the bitey algorithm
because that’s what I want. I want bite.
Rick: Dreamsite production explains how to set up your ins and outs in Pro
Dreamsite: Say your EQ is always connected to the end of your interface on one or
two you can name it as such as the EQ outgoes into 1 and 2. The
compressor outgoes into 3 and 4 or you can even break it down further.
Now these are all stereotypes here that handle 2 inputs at a time but you
can open a little folder kind of thing here then it brings on the mono signal
path as well.
Now say you always use the same mic say my 5 and 6 mic are always
used for when I’m recording a rock band or a drum set rather now I’m
using it for kick drum.
Mateo: Justamusicman demonstrates how to control amplitude with an external
Justamusicman: I’m using a Behringer FCB 10 and this is my handy MAC editor
FCB which I use for all my FCB 10 programming works really, really
well. So what I think we’ll do is again tube is looking for 1 through 6 for
stop boxes slots 1 through 6 I think just for this we’ll use 1 through 5. You
can always have 6 sets not a problem and then 2 others to do the preset
Rick: Make sure you follow winksound on Twiter and Facebook and stay
connected to a stream of new videos as well as school music production
links. Twitter.com/WinkSound or search for WinkSound on Facebook.
Next we got Chris he’s going to show you how to use a Phat Tempo
feature within Logic Studio and this is awesome in if you got an acapella
or something you’ll know the BPM or tempo off just got the little button
and I’ll tell you right away.
Mateo: That’s right and if you have a question for Chris or any of the content
producers featured on WinkSound.com simply write through their name at
WinkSound.com and they’ll get back to you with an answer.
Chris: Now we want to go to the tap tempo feature so we’re simply going to type
in tap at the top right here and you can see tap tempo select that and now
you can see I already have a few command setup for mine I use the equal
button but you don’t have one setup simply make sure that you have the
tap tempo selected and then go to learn by key position select that.
Now simply type in whatever the key command is that you want to use so
once you have a key command setup you can simply close out this
window and now the next thing they want to do is you want to make sure
that you have the sync button open at the bottom of your screen which is
this button right here they sync button. If you don’t want to have the sync
button down there it’s not a big issue, you can open one up pretty quickly
just by right clicking at the bottom of your screen peripheries and a laptop
simply control and click.
Now select that window that pops up right there. Now you’ll see where
it’s a sync right here just simply make sure selected ones that is the case
hit okay. And now you want to select the sync button to simply click on it
you’ll see that a blue outline has appeared at the top extreme that means
you’re good to go but now I just want to tap the tempo of the song of the
new tempo that I want to put into the song simply by tapping the equal
button because that’s my command but simply tap the key command that
you set up for tap tempo at the rate that you want to put the new tempo.
Mateo: Hey guys this is the end of the show as always thank you so much for
watching and if you took anything away from these tutorials please share
it with your friends.
Rick: That’s right and check out any of the videos featured in this segment or
any videos featuring music production Logic, Reason, Ableton, Pro Tools
or so much more check out WinkSound.com the new social video network
for audio creatives.
WinkSound Sound News 210
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